Importance of Being Earnest

This book contains some of Oscar Wilde's best known plays - "Lady Windermere's Fan", "A Woman of No Importance", "An ideal Husband" and "The Importance of Being Earnest".
Combining epigrammatic brilliance and shrewd social observation, the works collected in Oscar Wilde's The Importance of Being Earnest and Other Plays are edited with an introduction, commentaries and notes by Richard Allen Cave in Penguin Classics.

'To lose one parent may be regarded as a misfortune; to lose both looks like carelessness'

The Importance of Being Earnest is a glorious comedy of mistaken identity, which ridicules codes of propriety and etiquette. Manners and morality are also victims of Wilde's sharp wit in Lady Windermere's Fan, A Woman of No Importance and An Ideal Husband, in which snobbery and hypocrisy are laid bare. In Salome and A Florentine Tragedy, Wilde makes powerful use of historical settings to explore the complex relationship between sex and power. The range of these plays displays Wilde's delight in artifice, masks and disguises, and reveals the pretentions of the social world in which he himself played such a dazzling and precarious part.

Richard Allen Cave's introduction and notes discuss the themes of the plays and Wilde's innovative methods of staging. This edition includes the excised 'Gribsby' scene from The Importance of Being Earnest.

Oscar Wilde (1854-1900) was educated in Dublin and Oxford and became the leading exponent of the new Aesthetic Movement. His work, including short fiction such The Happy Price (1888), his novel The Picture of Dorian Gray (1891), gradually won him a reputation, which was cemented by his phenomenally successful plays, including A Woman of No Importance (1893), An Ideal Husband (1895) and The Importance of Being Earnest (1895). Imprisoned for homosexual acts, he died after his release, in exile in Paris.

If you enjoyed The Importance of Being Earnest and Other Plays, you might like George Bernard Shaw's Pygmalion, also available in Penguin Classics.

'Beneath the wit there is always an intense emotional reality. He criticised his audience while he entertained it'
Peter Hall, Guardian