The Palgrave Handbook of Audiovisual Translation and Media Accessibility

Chapter 1: Capturing AVT and MA: Rationale, Facets and Objectives (Mikolaj Deckert).- Section One: Audiovisual Translation and Media Accessibility Within and Beyond Translation Studies.Chapter 2: An Excursus on Audiovisual Translation (Lukasz Bogucki talks to Jorge D az-Cintas).Chapter 3: Audiovisual Translation Through the Ages (Elisa Perego and Ambra Pacinotti).Chapter 4: Media Accessibility Within and Beyond Audiovisual Translation (Gian Maria Greco and Anna Jankowska).Chapter 5: Multimodality and Intersemiotic Translation (Christopher Taylor).- Section Two: Modes of Audiovisual Translation and Media Accessibility.Chapter 6: Dubbing (Frederic Chaume).Chapter 7: Translating Non-Fictional Genres: Voice-Over and Off-Screen Dubbing (Anna Matamala).Chapter 8: The Name and Nature of Subtitling (Jorge D az-Cintas).Chapter 9: The Drama of Surtitling: Ever-Changing Translation on Stage (Juan Marcos Carrillo).Chapter 10: Fansubbing: Latest Trends and Future Prospects (Serenella Massidda).Chapter 11: Fandubbing (Roc o Ba os).Chapter 12: Audio Description: Concepts, Theories and Research Approaches (Iwona Mazur).Chapter 13: Subtitling for the Deaf and the Hard of Hearing (Agnieszka Szarkowska).Chapter 14: Live Subtitling Through Respeaking (Pablo Romero-Fresco and Carlo Eugeni).Chapter 15: Key Concepts in Game Localisation Quality (Miguel Bernal Merino).Chapter 16: Intersensory Translation Mitigating Communication Mismatches (Jos lia Neves).Chapter 17: Collaborative Translation and AVT (Lingjuan Fan).- Section Three: Methodology of Audiovisual Translation and Media Accessibility.Chapter 18: Translation Process Research in Audiovisual Translation (Gary Massey and Peter Jud).Chapter 19: Corpus Approaches and Audiovisual Translation (Silvia Bruti).Chapter 20: Reception Studies and Audiovisual Translation (Elena di Giovanni).- Section Four: Audiovisual Translation and Media Accessibility Focus Areas.Chapter 21: Audiovisual Translation Norms and Guidelines (Jan Pedersen).Chapter 22: The Tangled Strings of Parameters and Assessment in Subtitling Quality: An Overview (Arista Kuo).Chapter 23: Accessibility of Visual Content in Mobile Apps: Insights from Visually Impaired Users (Adriana S. Pagano, Fl via Affonso Mayer, Larissa Nicolau Fernandes Gon alves).Chapter 24: Decision-Making: Putting AVT and MA into Perspective (Mikolaj Deckert).Chapter 25: Technology and Audiovisual Translation (Lindsay Bywood).Chapter 26: The Cloud Turn in Audiovisual Translation (Alejandro Bola os-Garc a-Escribano and Jorge D az-Cintas).Chapter 27: Accessible Filmmaking (Pablo Romero-Fresco).Chapter 28: The Didactic Value of AVT in Foreign Language Education (Noa Talav n).Chapter 29: Analysing Solved and Unresolved Issues of an AVT Collaborative Task through the Lens of Activity Theory: Implications for Task Design (Laura Incalcaterra McLoughlin and Susanna Nocchi).Chapter 30: Censorship and Manipulation in Audiovisual Translation (Dingkun Wang).- Section Five: Themes for Audiovisual Translation and Media Accessibility.Chapter 31: The Problem with Culture (Irene Ranzato).Chapter 32: The Role of Humour in AVT: AVHT (Patrick Zabalbeascoa).Chapter 33: Multilingualism and Translation on Screen (Delia Chiaro and Giuseppe De Bonis).Chapter 34: Music and Accessibility (Lucile Desblanche).