How do stories begin, and why? What are the conditions for writing fiction? Need, compulsion, a listener, opportunity, rhetoric …
In The Snow Sleeper, the art and meaning of storytelling is illuminated in four magically interwoven tales of friendship. In each, a narrator’s narrow vision is gradually broadened and transformed into piercing self-knowledge.
“The Swan Whisperer”: A creative writing lecturer receives a series of bizarre missives from an eccentric student, which bring into question her most dearly held literary convictions.
“The Percussionist”: At his best friend’s funeral, a clockmaker delivers a eulogy that, in recalling the writer’s voyeuristic obsessions, explores the nature of love and friendship.
“The Snow Sleeper”: A fieldworker interviewing the homeless is confronted with her own grief by a most articulate and charismatic vagrant.
“The Friend”: The confidante of a famous photographer acknowledges her role in his decline. A story that resonates with the interplay of the artistic and political in South Africa today.
These characters, all alter egos, are linked each to the other in strange, recurring loops, drawing the reader into the depths of a beautiful snowstorm.
