Wyndham Lewis and the Art of Modern War

Concerned with the idea that Wyndham Lewis was a mass of unbound impulses released from the rationalizing censorship of a respectable consciousness, this text argues for a more nuanced and historically aware view of Lewis and his work. The eight contributors consider Lewis's career from its inception to his final novels within a major focus on World War I and the inter-war period. Their essays examine Lewis's art, his post-war politics and aesthetics, the new turn his painting and thought took in the 1930s, and the connections between modernism, war and aggression. Overall, the collection offers a reassessment of the conventional view of Lewis as the uncontrolled aggressor of British modernism.